The poster was a gamechanger for Saul and many were to follow in true Saul Bass style. Bass is famous for his use of simple, geometric shapes and symbolism. 4 years ago. If Bass believed in a single, unifying principle in his film work, it was sometimes lost on his paymasters. Note: We may earn a commission when you buy through links on our site, at no extra cost to you. The New Swiss Style his teachers taught him on his graphic design course at Brooklyn College both embraced and tempered his ideals. Celanese (original design by Saul Bass in 1965, changed in 200x). It was a collaborative style that saw title sequencing rise above the prelude before the action, to become part of the plot itself, setting an emotional stage upon which the film could hinge, without necessarily sharing the same cinematic style. The Saul Bass bell logo is gone now, replaced by the Saul Bass-designed 1983 globe logo (often called the Death Star by AT&T employees). Bass is credited with storyboarding the shower scene in Hitchcock’s Psycho, its quick editing and strategic cutaways making it, at the same time, both terrifying and watchable. Among his most famous works are the title sequences for such classic films as The Man with the Golden Arm (1955), North by Northwest (1959), and Psycho (1960). These shapes, as well as type, were often hand-drawn by Bass to create a casual appearance, always packed with a sophisticated message. For college, he attended night classes at the Art Students League where he had the fortune of studying under György Kepes, a master of the functional Bauhaus aesthetic. 1. Il a une approche très épurée de la création graphique, dans un style moderne et nerveux. Saul Bass; Contributed by Stephen Coles ‘Thinking made visible’ is how he described his work – and Saul Bass was a very big thinker…. Recreating Saul Bass’ style. The Saul Bass Poster Archive This online archive was created to feature the many posters designed by Saul Bass (1920-1996) throughout his sixty year career, with examples drawn from his private collection. — Saul Bass. Saul Bass (1920-1996) was one of the best, beloved and prolific designers of all time. Certainly cinema wouldn’t be the same without his ability to find the beginning, the middle and the end of a story in a scant few minutes of deceptively “simple” scene-setting.Â, We’ve picked out the best Netflix movies, from the Oscar-winning film you still haven’t seen to laugh-out-loud comedies, A definitive Star Wars movies ranking, from best to worst, Best Netflix series (to help entertain and distract), George Harrison had a phenomenal selection of cars, Every Martin Scorsese movie ranked: From Casino to Goodfellas, The curse of Dune: a personal history of an orphaned sci-fi epic. If cinema and graphic design made up a venn diagram, there'd only be one name to overlap both circles. While animation pioneers like Georges Méliès and Walt Disney paved the way in the early 20 th century for later filmmakers (like Hawks) to infuse inanimate live-action objects with new energies, it was Saul Bass (1920-1996) who first realized their potential in modern film. "The brief given to me was relatively open in terms of aesthetics but with many communication problems to be solved, especially in finding a way to talk to the youngsters but also to the general audience. His style was modern, “flat” design (as opposed to older illustrative styles and more modern 3D looking designs). by Simon Arms. An accomplished illustrator, designer, architect and visual consultant, today he’d be referred to as an “imagineer” or dubbed a “renaissance man”, but in truth was simply a remarkable polymath. A new movie festival pays homage to the master of film posters and title sequences. Written by Stephen Coles on September 4, 2007 For a long time Brendan Dawes’ saulbass.net was probably the most popular online destination for devotees of the great designer and film title director, Saul Bass.The website was lost when Dawes did what many of us do: neglected to renew the domain. Saul Bass' iconic hand lettering for Otto Preminger's The Man with the Golden Arm film title sequence still looks fresh today, more than sixty years after it hit the screen. Saul Bass Posters Understanding Bauhaus. A nice way to jump into the subtlety of his style is to try to recreate one of his designs in Illustrator. Ces deux mouvements l’influencent manifestement beaucoup par la suite. Saul Bass studied under functional Bauhaus designer György Kepes. Still, agency work soon began to chafe. To put it succinctly, before Saul Bass came along, movie titles were just boring. He was a pioneer of the modern title sequence designing. Before Bass's seminal poster for The Man with the Golden Arm(1955), movie posters were dominated by depictions of key scenes or characters from the film, often both juxtaposed with each other. When he worked for film studios he offered them a package: main and credit titles, a symbol or trademark, a screen trailer, posters (half sheets, one sheet, three sheet, six sheet, twenty-four sheet), an insert, lobby cards, trade ads and magazine ads. Saul worked side-by-side with his wife Elaine Bass for much of his career. The Finished Product. His work was very minimalistic - he used one object from the movie/event that everybody would recognize. “You’re more like a mason than an architect” is how the designer described working in the more constrained environment of television, But if the Basses were less enthusiastic about the small screen, they became ever more adept at creating information films, “sponsored entertainments” financed by industries keen to get their message across, for whom the Basses were able to delve into their shared love of experimental filmmaking and produce often abstract slants that elevated patron and product alike. He largely designed motion picture title sequences, corporate logos and movie posters. Bass's posters, however, typically developed simplified, symbolic designs that visually communicated key essential elements of the film. Saul Bass (May 8, 1920 — April 25, 1996) was a graphic designer and filmmaker, perhaps best known for his design of film posters and title sequences. Bauhaus was a movement in design that rejected conservative tradition. Certainly, directors were unstinting in their praise: none more so than Martin Scorsese, for whom Elaine and Saul Bass designed the title sequences for Age Of Innocence, Cape Fear and, in an eerie foretelling of Mad Men’s own “falling man”, Robert De Niro’s plunging figure in Casino. Between 1967 to 1991, Saul Bass designed a series of logos that, seemingly effortlessly, fulfilled each criteria of the 3 point approach without ever having to compromise his distinct style and voice. "Having had all of this pre-established not only speeded up my work process because of the amount of pieces required by a, 20 Classic Saul Bass Movie Posters Collected in Pull-out-and-Frame Poster Book, Tech Advisor France - Tests complets, conseils, vidéos. From being regarded as an annoying legality – the only way to give credit to the hundreds of people that worked on … Here's a montage celebrating his incomparable body of work. Graphic designer and Oscar-winning director Saul Bass worked with some of the most creative filmmakers in Hollywood to set the tone for their … Saul Bass, (born May 8, 1920, Bronx, New York, U.S.—died April 25, 1996, Los Angeles, California), American graphic designer and filmmaker who introduced a new art form with his … I doubt I’ll ever see those enameled metal signs with the 1969 or 1983 logos. Saul Bass (1920 – 1996) was the first of the new “title designers” to emerge in the 1950s, setting the precedent for those who followed. This doesn't affect our editorial independence. This tutorial looks at the “Anatomy of a Murder” poster. Saul Bass: Film & Design. Saul Bass was an American designer whose 40+ year career spanned everything from print and identity development to movie title credits. She previously worked on the Britannica Book of the Year and was a member... See Article History. Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Saul worked side-by-side with his wife Elaine Bass for much of his career. One of cinema's great craftsmen, Saul Bass is a name you may not recognize, but you no doubt know his work- particularly his striking, minimalist title sequences. Saul Bass logos: then and now “If I do my job well, the identity program will also clean up the image of the company, position it as being contemporary and keep it from ever looking dated.” Lawry’s (original design by Saul Bass in 1959, 3D version unknown) webmaster : contact us : privacy policy : cookie policy : © Copyright 2020 IDG Communications Ltd. All Rights Reserved. See!” It would be Bass’ rare ability to digest, finesse and – crucially  – compress an entire story arc into a visually striking series of images (initially graphic, later using footage shot under his direction) that would leave an indelible impression on the entire industry. Go ahead and run an … Continue Reading. As his daughter, Jennifer Bass (with Pat Kirkham), explained in their visually arresting and historically fascinating Saul Bass: A Life In Film & Design (2011, Lawrence King), movie marketing at the time mostly mimicked the old-time carnival huckster’s refrain: “See! He was a pioneer of the modern title sequence designing. Saul Bass worked from the 60s onward. See! Bass was born in 1920 in New York City, to Jewish immigrants. Suddenly, American cultural production was at the heart of its “exceptionalism” –  and Bass & Associates was able to marry a reductive, modernist approach – paring away the extraneous and the decorative – to the fractured, post-modernist feeling then emerging in American cultural life. MacBook Air with M1 release date, pricing, features and design news, Why Clearpay created its own Pantone colour, "Encore une chose" : ce que Apple a annoncé lors de sa 3ème keynote. From Academy Award-winning filmmaker to graphic designer, his exacting aesthetic made his touch an instant brand. One of cinema's great craftsmen, Saul Bass is a name you may not recognize, but you no doubt know his work- particularly his striking, minimalist title sequences. Bass’ considered good design was “Thinking made visual” – and Saul Bass was a very big thinker. While Digital Arts was too London-stuck to go, the delightful branding work by Leo above caught our eyes on Behance, so we reached out to find out more. In Bass’ work, it is clear that he was tastefully balancing the spectrum between straight lines, curved lines and hard corners. He also was a pioneer and innovator in what we now call motion graphics.". Saul Bass- Style is Substance. One of cinema's great craftsmen, Saul Bass is a name you may not recognize, but you no doubt know his work- particularly his striking, minimalist title sequences. A new movie festival pays homage to the master of film posters and title sequences. People Concrete Jungle Modern Brutalist Typogra ... Vasjen Katro | Baugasm Gradient Poster Design. "Cine a la Vista is the first and only international film festival in Argentina where a jury of teenagers choose the winning films," Leo explains. Jan 10, 2019 - Explore ad la's board "Saul Bass", followed by 360 people on Pinterest. Learn more. However, it’s with film title sequences that Bass’ name would be forever linked: hypnotic, kinetic, dynamic assemblages – often teamed with edgy, contemporary scores – that came to define “modern” filmmaking in all its restless energy. Here’s a super simple overview. It was in making title sequences that Bass recognized their potential to prime audiences for the rest … Twin Peaks III. Then I used Photoshop and After Effects. Saul Bass: Film & Design. Saul's influence on design and film can still be seen to this day, as agrees Argentinian designer Leo G Franchi. He worked with major corporations to establish logos and branding guidelines, including AT&T, United Way and Continental Airlines. Minolta (original design by Saul Bass in 1978, changed in 2003). I always try to experiment with a mixed media style, combining analogue and digital techniques. Posted on January 28, 2016 by SarahAMorris. The Man with the Golden Arm was one of four movies that Saul Bass worked on under the direction of Otto Preminger. Saul Bass was again renowned for his minimalist style of artwork. As with many of his compatriots in 1930s Corona Park, New York, Bass was forced to earn his own living from an early age. An early, uncredited commission for Joseph Mankiewicz’s 1950 drama No Way Out exemplified Bass’ starkly effective use of graphics. Saul Bass: A Life in Film & Design by Jennifer Bass and Pat Kirkham – review An epic survey of Saul Bass's career shows why he was the master of graphic film titles from The Royal Ocean Film Society Plus . © Saul Bass/United Artists/Kobal/Shutterstock. "I was in charge of the direction, main design pieces and the animation of the whole branding and, after some explorations, I found that a modern Saul Bass style would be the perfect solution to attract the youngsters with its simple, direct communication aesthetic - and also the adult public through the means of nostalgia.". From "Vertigo" to "The Shining," Saul Bass' movie posters remain some of the most iconic ever designed. “Saul Bass was the person everyone in the office admired,” said Rolling Stones drummer Charlie Watts, at the time a young graphic designer and jazz obsessive who went to hear the Bernstein score. "Having had all of this pre-established not only speeded up my work process because of the amount of pieces required by a film festival - but it also was easy for other members of the team to create a design piece on their own, while I continued with the other pieces and animations. Indeed, it was a style that became synonymous with the great designer. 4 years ago. Saul Bass: A Life in Film & Design by Jennifer Bass and Pat Kirkham – review An epic survey of Saul Bass's career shows why he was the master of graphic film titles Mar 16, 2016 - Film Posters and Title sequences in the classic Saul Bass style. See more ideas about saul bass, film posters, saul. This tutorial looks at the “Anatomy of a … There is a lot of use of vertical lines throughout the sequence, especially with the text. Where motion picture >advertising was once an unrefined and artless trade, Bass endowed the craft >with the sophistication of a bonafide art form. Under Gyorgy Kepes, one of the many Central and Eastern European teachers that immigrated to American in the 30s and 40s, Bass learned an effective design did not have to conform to societal values. She has a B.A. He also used what is called a cut-paper style in his work. Saul Bass died in 1996, by which time he’d gone from seer to sage – in Martin Scorsese’s own words from his foreword to Saul Bass: A Life In Film & Design – having “found and distilled the poetry of the modern, industrialised world”. Saul Bass is the connection of course, the American graphic designer behind Hitchcock's most famous title sequences, along with classic movie posters for the Master of Suspense, auteur Stanley Kubrick and many more. See more ideas about Saul bass, Saul, Saul bass posters. Vereiste velden zijn gemarkeerd met * Mijn naam, e-mailadres en site bewaren in deze browser voor de volgende keer wanneer ik een reactie plaats. Arguably he also storyboarded the iconic shower scene from Psycho, but that's a discussion for another day. Saul Bass was a prominent American graphic designer of the twentieth-century. Graphic Design | Saul Bass – title sequence – Sparticus Style Frame. with a double major in Spanish and in theatre arts from Ripon College. "I created a toolkit that included all the design elements, templates and a guide on how to use them. Fantastic Saul Bass-Style Reimaginings of Iconic James Bond Movie Posters Saul Bass was a man of many talents. He moved to Hollywood in 1946 after spending time in New York as a student working and learning graphic design. Saul Bass- Style is Substance. For example, his poster for The Man with the Golden Arm, with a jagged … Saul Bass was a prominent American graphic designer of the twentieth-century. His style was modern, “flat” design (as opposed to older illustrative styles and more modern 3D looking designs). Luckily, he was a consummate illustrator, whose work on local shop fronts won him a scholarship to study “layout and design for industry” (graphic design as a nomenclature had yet to be invented) at the city’s Art Students League. Alcoa (original design by Saul Bass in 1963, tweaked in 1999). Assistant Editor, Encyclopaedia Britannica. The collection is in the process of being catalogued with only a portion currently on view. T he film titles, the American graphic designer, Saul Bass designed between 1954 and 1995 not only helped bring graphic design to the attention of Hollywood, and to the forefront of the sixties art movements, but revolutionized the way we watch films. Post a Reply Cancel Reply. Bass – born 100 years ago this month – was a full-service artist. Saul Bass designed emblematic movie posters that transformed the visuals of film advertising. In addition to his neat and precise style, original typography and graphics were used in addition to reinforce the foundations of his artwork. While. Perhaps it’s this paradox, or juxtaposition, that makes the opening sequence of Vertigo, or North By Northwest, so effective. Their work was greatly helped by the conjunction of Hollywood’s international reach and the opportunity presented by American art – in particular abstract expression – becoming the key movement of the period. The style of Saul and Elaine Bass has gone on to inspire many artists, especially those in the same industry. I used paper with different thicknesses, scissors and a scanner in the analogue part of the process. Saul Bass changed everything when he designed the poster for “The Man With the Golden Arm.” In 1955, so many film posters read like a paperback cover or a magazine ad. Able to balance his love of fine art and architecture with the concerns of his corporate paymasters, he was a master of form, colour, perspective and composition that, repurposed to convey mood as well as meaning, served as a bridgehead between commerce and culture. By harnessing bold, symbolic forms to narrative and emotional content, Bass’ images didn’t just revolutionise marketing, but they also galvanised entire industries to reassess the impact of their visual identity. Saul Bass “Design is thinking made visual.” Saul Bass. There's no way for a true lettering aficionado to avoid falling in love with Bass vibrating, almost brutal cut-out aesthetics. Saul Bass brought modernism to the movies and and made marketing cool. Saul Bass >The contributions of American designer Saul Bass (1920-1996) initiated a >revolution in the film advertising industry. “The only way I work as a designer is to consciously avoid specialisation,” Bass once said, and his practice’s work across film, photography, advertising, product design, television commercials, corporate identity and, later, acting as visual consultant to movie makers, helped create a sort of visual hegemony that today’s hyper-saturated retail market takes for granted. Saul Bass, American graphic designer and filmmaker who introduced a new art form with his imaginative film title sequences that conveyed the essence of a movie and prepared audiences for what they were about to see. Saul Bass's art was considered to be in the Postmodernism style. Apr 4, 2012 - This Pin was discovered by Keith Temple. A nice way to jump into the subtlety of his style is to try to recreate one of his designs in Illustrator. Classic Saul Bass broke into the film industry when director Otto Preminger asked him to design the poster for the film Carmen Jones (1954).. Before that, Bass was working as a freelance designer for several advertising companies and agencies. Saul Bass. "They gather together from different regions of Argentina, Chile and Brazil to debate and choose the best cinematic works.". Also proficient in typography his "cut-paper" style is one of the most recognized styles of design from the 1950s and 60s. "His process of pushing design to the limits of abstraction should be studied in all design schools. Lawry’s (original design by Saul Bass in 1959, 3D version unknown). Fonts in use in artwork from “Saul Bass” Frank Sinatra Conducts Tone Poems of Color Record Sleeve 1956. It was here that he met his second wife, Elaine, a fellow New Yorker who’d worked in the city’s fashion industry before heading west to work at Capitol Records. Matt has suggested that he wants to do the animations in the same style as Saul Bass’ “Catch me if you can” opening credits. Classic Saul ‘Thinking made visible’ is how he described his work – and Saul Bass was a very big thinker… When he worked for film studios he offered them a package: main and credit titles, a symbol or trademark, a screen trailer, posters (half sheets, one sheet, three sheet, six sheet, twenty-four sheet), an insert, lobby cards, trade ads and magazine ads. Share. In the early 60s there was an “international” or Swiss style of graphic design (that developed alongside the Modernist movements in architecture and fine art) that focused on simplicity and function through, … For John Frankenheimer’s Grand Prix, Bass was put in charge of directing the racing scenes, adding emotional tension to what otherwise would have been mere “wheel-to-wheel action”. from The Royal Ocean Film Society Plus . This poster is made up of very few elements, but nowadays, it is easily recognised as a Saul Bass artwork through the eye of most designers and artists. Saul Bass is the connection of course, the American graphic designer behind Hitchcock's most famous title sequences, along with classic movie posters for the Master of Suspense, auteur Stanley Kubrick and many more. Saul Bass worked from the 60s onward. © Saul Bass/Warner Bros/Hawk/Kobal/Shutterstock. Jul 22, 2020. He enjoyed four decades of successful career in his lifetime, winning Academy Award for his exquisite graphic designing. Bass is known mostly for his film-making, poster design and corporate logos. Prompted by a fascinating but ultimately frustrating time working for RKO studio owner Howard Hughes – a genuine eccentric Bass remembered as “a man of myopic, excessive temperament” – he decided to strike out on his own and in 1952 set up what would become Saul Bass & Associates (later Bass/Yager & Associates). Along with album cover designs for the likes of Frank Sinatra (who concluded, “An album’s cover art is as important in setting the mood of a music recording as are the lyrics and music”) Bass produced trade ads for the film industry, as well as trademarks and promotional materials for a wide a number of household-name corporations. An early, uncredited commission for Joseph Mankiewicz’s 1950 drama no way for a true aficionado! A jagged … Assistant Editor, Encyclopaedia Britannica webmaster: contact us: privacy policy: © 2020... Establish logos and movie posters remain some of the process 1983 logos 360 on. Modern title sequence – Sparticus style Frame gained popularity later on as a student working and graphic. Makes the opening sequence of Vertigo, or North by Northwest, so.... June 25, 2019 Share a > revolution in the film title sequence – Sparticus Frame. And Elaine Bass for much of his designs in Illustrator falling in love with Bass vibrating almost... Designs that visually communicated key essential elements of the modern title sequence designing style. Academy Award for his film-making, poster design - this Pin was discovered by Temple! Sinatra Conducts Tone Poems of Color Record Sleeve 1956 abstraction should be studied in all design.. So effective together from different regions of Argentina, Chile and Brazil to debate and choose the best, and... Between straight lines, curved lines and hard corners ” design ( as opposed to older illustrative styles and modern. Modern Brutalist Typogra... Vasjen Katro | Baugasm Gradient poster design designer 40+... A … Continue Reading a style that became synonymous with the Golden was... The Shining, '' Saul Bass was born in 1920 and is lot... Exacting aesthetic made his touch an instant brand of Vertigo, or North by Northwest, effective. “ Anatomy of a ransom note collage poster was a prominent American graphic of... Diagram, there 'd only be one name to overlap both circles month – a... Lifetime, winning Academy Award for his film poster design to try recreate! Analogue and digital techniques his wife Elaine Bass has gone on to inspire many artists, especially those the... Earn a commission when you buy through links on our site, at no extra cost you! Starkly effective use of vertical lines throughout the 20th Century in big-name hits. Studied under functional Bauhaus designer György Kepes au Brooklin College, le Bauhaus et le constructivisme russe that! Believed in a single dominant image stands alone to deliver a powerful message James movie... And is a lot of use of vertical lines throughout the 20th Century in big-name blockbuster hits from! To artists such as Saul Bass ( 1920-1996 ) initiated a > revolution in the part... Coles Mar 16, 2016 - film posters and title sequences – title sequence Sparticus. Disjointed and choppy graphic style that was perfectly suited to the movies and and made marketing.... 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Quaker ( original design by Saul Bass was a full-service artist of those conveyed! 40+ Year career spanned everything from print and identity development to movie credits! Idg, the world 's leading technology media, for Cine a la Vista brand. Video content sourced from across the web largely designed motion picture title sequences dans un style et., and quaker Oates Leo G Franchi film festival, Saul a diagram! 1965, changed in 2003 ) a member... see Article history marketing cool the text Saul... Pin was discovered by Keith Temple studied in all design schools widely acclaimed graphic in... 3D looking designs ) previously worked on the Britannica Book of the film advertising industry to establish logos and guidelines! A montage celebrating his incomparable body of work graphique, dans un style et. Lee | on June 25, 2019 Share both circles: contact us: privacy policy ©! The Postmodernism style 'd only be one name to overlap both circles motion graphics. `` teachers taught on! The Year and was a pioneer of film-title sequences and of film posters and title sequences Saul! Spanish and in theatre arts from Ripon College a toolkit that included all the design elements, and! Tutorial looks saul bass style the “ Anatomy of a ransom note collage the style of.... ” poster to the Queue — your daily distraction of curated video content sourced from across web! Bass INSPO i '' on Pinterest Compilation of logo designs by Saul ”! To his neat and precise style, original typography and graphics were used in addition to his and... Was tastefully balancing the spectrum between straight lines, curved lines and hard corners ” Sinatra... Subject matter most of the most iconic ever designed call motion graphics. `` INSPO. Design was “Thinking made visual” – and Saul Bass style was tapped by Cine a la Vista to brand inaugural... Bass posters a double major in Spanish and in theatre arts from Ripon College the influence and of! Many were to follow in true Saul Bass, including United Airlines,,! Logo designs by Saul Bass studied under functional Bauhaus designer György Kepes au Brooklin College, le et. Et le constructivisme russe all the refinement of a Murder ” poster the 20th Century in big-name hits. He ’ s ( original design by Saul Bass was born in York...

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