Jongerius questions whether today’s travellers are really looking for that kind of atmosphere, and whether it still reflects the way they’d like to spend their flight. Hella Jongerius designed the cabin interior of the KLM Boeing 787 Dreamliner for both economy and business class, continuing the partnership that began with the design of the World Business Class interior of KLM’s Boeing 747 in 2011. Cabin interior scale model, image by Marcus Gaab. KLM World Business Class cabin interior - Colour Palette, KLM World Business Class cabin interior – Carpet, KLM World Business Class cabin interior – Class divider, KLM World Business Class cabin interior – inflight products & visual identity, KLM World Business Class cabin interior – The full flat chair. They are people of all ages and cultures, headed for many different destinations, each with a unique story to tell passengers who gaze at the dots during their flight. KLM Boeing 787 Dreamliner. Your browser does not support the video tag. Besides offering plenty of room for personal belongings, each cupboard holds a specially designed mirror for checking your hair after a sound sleep in the full-flat seats. Re-interpretation of the Tea Trolley for Artek. She founded her own studio called Jongeriuslab in Rotterdam in 1993. Passengers can adjust the sides to varying positions, breaking up the uniformity of the cabin and creating a lively atmosphere. Colour Machine. Landscape. All the other permanent elements of the interior, including compartments, crew seats, and magazine bins, have been simplified as much as possible. The embroidered zigzag line on the back of each seat is a bright and tactile detail that creates visual unity. 1. The woollen basket-weave fabric for the seat cover features a pattern of KLM blue dots woven from bright blue yarn against a dark blue background. Jongerius’s design is focused entirely on the passenger experience. Die bekannte niederländische Designerin Hella Jongerius entwarf die Kabinenausstattung. Softening: Making a homey environment through warmer, more diverse colours; reducing the use of plastic by introducing other materials; replacing plastic with surfaces of greater tactile interest. The dot, which has become part of Jongerius’s signature style, recurs in many elements of the interior, creating a soft, diffuse look. The soft padded ‘ears’ are a contemporary interpretation of upholstered residential furniture, helping travellers to feel at home in a luxurious private space. From 1988 to 1993, she studied design at the Design Academy Eindhoven. In Zusammenarbeit mit KLM-Experten hat sie sich auf den Komfort jedes einzelnen Fluggastes konzentriert – immer mit dem Bestreben, individuelle Rückzugsmöglichkeiten und eine angenehme, freundliche Atmosphäre an Bord zu schaffen. Jongerius introduced a more personal design, with inviting textures and a comfortable appearance. The business-class seats have cupboards that provide personal storage space while doubling as seat dividers. Fruit. new book: Hella Jongerius – I don’t have a favourite colour. Danskina Collection 2015 . Dew. Contemporary forms combined with tactile surfaces and warm colours add a human touch and evoke the sense of a comfortable home in the sky in the business class cabin. Due to restrictions in the seat composition, designing for the economy class required a pragmatic approach. In parallel with her research on traveller experience, Jongerius also investigated KLM’s unique identity, an integral part of Dutch cultural heritage. 3. Until recently, the World Business Class was conceived primarily as the perfect workspace, ensuring that no time was wasted between continents. And there’s a lot to be said for its many standard features: convenient storage, sturdy tray tables, comfortable seats. After graduating, she worked for a few projects at Droog Design. Simplify, Soften and Enrich Famous Dutch designer Hella Jongerius designed the cabin interior. Seat covers, accessories, carpet and class dividers. She strove for aesthetic unity, avoiding conflicting signals and offering a fresh, contemporary look. This pattern is based on photos of many different travellers, transformed into line drawings to create a more abstract image. The dots create a pleasant feel, and the woven pattern shows close attention to visual detail. Die Designerin Hella Jongerius ist bekannt geworden für ihre Art, Industrielles und Handwerkliches, High- mit Low-Tech, Tradition und Moderne zu vereinen. HJ Bag. She taught at the Design Academy Eindhoven as head of the department Living/Atelier (1988–1993). Several aspects of the business-class design are echoed in the economy cabin, such as the double-sided curtain that uses Jacquard weaving technique to combine two patterns in the same fabric. Air travellers often feel like insignificant cogs in a well-oiled machine, where every seat is identical except for the number. Beyond the New. Simplification: Keeping on-board distractions to a minimum; forging unity among aesthetic elements; avoiding conflicting signals; offering a fresh, contemporary look. 787 economy class bulkhead @ Inga Powilleit. Why shouldn’t airlines open the door to the opposite of the traditional experience, inviting their passengers to use their extra time for rest and relaxation? Jongerius was born in De Meern, a village to the west of Utrecht in the Netherlands in 1963. We must therefore rethink the opportunities provided to air travellers. V&A Museum acquires UN Lounge Chair. Argali. The atmosphere is reminiscent of an open-plan office: uniform, with many shades of gray, cool plastic materials, and impersonal fabrics. The new interior design for KLM World Business Class in the Boeing 747-700, by Hella Jongerius/Jongeriuslab When KLM invited a designer to develop a … These are standard aircraft parts supplied by Boeing, the manufacturer. Cocoon. Enrichment: Creating personal ‘thrones’; giving material form to individual spaces; evoking a feeling of luxury through craftsman-like details; presenting a signature style through careful attention to all material aspects: textiles, patterns, and colours. In 2013, working usually involves non-stop exchange by telephone and internet, an open form of communication that remains next to impossible on an aircraft. Jongerius focused on improving the passenger experience, by creating a homelike environment with warm, varied colours and replacing plastic with other materials that have more appealing textures. Im Jahr 1993 eröffnete sie die Designfirma Jongeriuslab, über die sie ihre eigenen Projekte und Arbeiten für Kunden wie Maharam, Danskina, IKEA und KLM umsetzt. Polder Sofa and Polder Compact. The cocoon-like business-class seats offer dynamic cabin views. Her clients include Maharam (New York), KLM (Netherlands), Vitra (Switzerland), IKEA (Sweden), Camper (Spain), Hella Jongerius with designers Edith Van Berkel and Arian Brekveld. As you move in closer, more and more details become visible, and an image gradually appears: a large group of passengers viewed from the air. Full flat diamond chair KLM. The economy seat traditionally has a stripped-down, engineered look, with tall seat backs that block the view in the cabin. Carapace. 2013 HOMEWARD web from JongeriusLab on Vimeo, KLM World Business Class cabin interior - Colour Palette. Due to restrictions in the seat composition, designing for the economy class required a pragmatic approach. Foliage. From a distance, the bulkheads look like irregular grid patterns of white dots against a soft grey background. The only elements of the World Business Class that do not bear the ‘signature’ of Hella Jongerius are the ceiling, the walls, and the luggage bins. This is the setting for the launch of Dutch designer Hella Jongerius’ latest project, a redesigned interior for the business-class cabins of Dutch airline KLM. Jongerius hopes to give travellers back their lost individuality, on many levels. Cross. The cradle-to-cradle carpet used throughout the aircraft combines ‘waste wool’ with recycled stewardess uniforms. In other words: a little dreary. KLM pinboard at Jongeriuslab. 2. When opened, the brushed aluminium door functions as a seat divider for greater privacy. Vitra colour and material library. Hella Jongerius with designers Edith Van Berkel and Arian Brekveld, Cabin interior scale model, image by Marcus Gaab, Overview of the class dividers, old and new, Seat covers, accessories, carpet and class dividers. Overview of the class dividers, old and new. Through the technique of colour blocking, the long lines of the seat backs are interrupted to make the cabin view more dynamic. A seat with cushioned ‘ears’ for snuggling up against Modern communication technologies have profoundly altered the way we work. Hella Jongerius designed the cabin interior of the KLM Boeing 787 Dreamliner for both economy and business class, continuing the partnership that began with the design of the World Business Class interior of KLM’s Boeing 747 in 2011. Air travellers often feel like insignificant cogs in a well-oiled machine, where every seat is identical except for the number. KLM World Business Class. Eden. 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hella jongerius klm

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